Theatre, Dance and Performance Training《戏剧、舞蹈和表演训练》（季刊）. Theatre, Dance and Performance Training ( TDPT) is a rigorously peer-reviewed journal that provides a forum for practitioners, academics, creative artists and pedagogues to articulate research into performance training in all its diversity.

Research in Drama Education: The Journal of Applied Theatre and Performance《戏剧教育研究：应用戏剧与表演杂志》（季刊）. RiDE: The Journal of Applied Theatre and Performance is a refereed journal aimed at those who are interested in applying performance practices to cultural engagement, educational innovation and social change. It provides an international forum for research into drama and theatre conducted in community, educational, developmental and therapeutic contexts. The journal offers a dissemination of completed research and research in progress, and through its Points and Practices section it encourages debate between researchers both on its published articles and on other matters. Contributions are drawn from a range of people involved in drama and theatre from around the world. It aims to bring the fruits of the best researchers to an international readership and to further debates in the rich and diverse field of educational drama and applied theatre.

TDR-The Drama Review-THE JOURNAL OF PERFORMANCE STUDIES《戏剧评论》（季刊）. TDR is scholarly, accessible, and dynamic with a global appeal. Each article is tightly focused, but the effect of the whole is of a broad range of topics. TDR is at the cutting edge of performance studies. TDR supports progressive political and social movements and ideas. TDR is inclusive and interdisciplinary. Written by and for scholars and artists—and their students—TDR is where leaders and future leaders of performance studies go for performance texts, performative writing, editorials, reviews, and articles about the performing arts, performance in everyday life, politics, popular entertainment, business, and sports.

Studies in Theatre and Performance《戏剧与表演研究》（一年3期）. An international, peer-reviewed journal, Studies in Theatre and Performance publishes work that explores theatre and performance practice across histories, cultures and disciplinary boundaries. Our articles reflect a broad spectrum of methodological enquiry, and encompass research informed by personal practice, direct observation of/engagement with practitioners, and critical engagement with play-texts and performances.

Revue d’Histoire du Théâtre《戏剧史杂志》（季刊）. La Revue d’Histoire du Théâtre est une revue trimestrielle, créée en 1948 et soutenue par la Direction Générale de la Création Artistique (Ministère de la Culture) et la Bibliothèque nationale de France. Elle publie des textes inédits, s’attachant à transmettre l’histoire des arts du spectacle, du Moyen âge à nos jours.

SHAW-THE JOURNAL OF BERNARD SHAW STUDIES《萧伯纳研究》（半年刊）。SHAW: The Journal of Bernard Shaw Studies is the official publication of the International Shaw Society, which seeks to “provide a means for those interested in the life, times, works, and career of Irish playwright George Bernard Shaw and his circle to organize their activities and interests, exchange information and ideas, and promote an interest in Shaw worldwide.”

Shakespeare Quarterly《莎士比亚季刊》（季刊）. Shakespeare Quarterly (SQ) is a leading journal in Shakespeare studies, publishing highly original, rigorously researched essays, notes, and book reviews. Published for the Folger Shakespeare Library by Oxford University Press, SQ is peer-reviewed and extremely selective. The essays in our published pages span the field, including scholarship about new media and early modern race, textual and theater history, ecocritical and posthuman approaches, psychoanalytic and other theories, and archival and historicist work. Our mission, simply put, is to present the best scholarship on Shakespeare from his own period to the present moment. The published journal is available in print and online.

Shakespeare《莎士比亚》（季刊）. Shakespeare publishes articles drawn from the best international research on the most recent developments in Shakespearean criticism, historical and textual scholarship, and performance.The journal promotes the goal of the British Shakespeare Association to bridge the gap between literary and performance based criticism of Shakespeare, and provides an outlet for Shakespeare research undertaken to the very highest standards from around the world. Without privileging any particular critical approaches, methodologies, or theories, the journal welcomes all contributions that throw light upon Shakespeare, his works, and his world, in his time and through to the present day.

New Theatre Quarterly《新戏剧季刊》（季刊）. New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.

Modern Drama《现代戏剧》（季刊）. Modern Drama was founded in 1958 and is the most prominent journal in English to focus on dramatic literature. The terms “modern” and “drama” are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser-known dramatic texts from a range of methodological perspectives. The journal features refereed articles written from a variety of geo-political points of view which enhance our understanding, both formal and historical, of the dramatic literature of the past two centuries; there is also an extensive book review section.