Journal of Popular Music Studies《流行音乐研究杂志》（季刊）. Journal of Popular Music Studies (JPMS) is the peer-reviewed, quarterly publication of the U.S. Branch of the International Association for the Study of Popular Music (IASPM-US). The journal’s purview encompasses all genres of music that have been dubbed popular in any geographic region. In addition to mainstream genres such as rock, hip hop, EDM, punk, or country, it explores popular forms ranging from broadsides to Broadway to Bollywood film music. It aims to present popular music scholarship from a variety of disciplinary perspectives, including history, sociology, musicology, ethnomusicology, cultural studies, and communication.

Journal of New Music Research《新音乐研究杂志》（一年5期）. The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope.

Journal of Music Theory《音乐理论杂志》（半年刊）. Founded by David Kraehenbuehl at Yale University in 1957, the Journal of Music Theory is the oldest music-theory journal published in the United States and has been a cornerstone in music theory’s emergence as a research field in North America since the 1960s. The journal is edited by a consortium of music-theory faculty at Yale, where it is housed in the Department of Music. The journal publishes research with important and broad applications in the analysis of music and the history of music theory as well as theoretical or metatheoretical work that engages and stimulates ongoing discourse in the field. While remaining true to its original structuralist outlook, the journal also addresses the influences of philosophy, mathematics, computer science, cognitive sciences, and anthropology on music theory.

The Journal of Musicology《音乐学杂志》（季刊）. The Journal of Musicology (JM) is a refereed, international quarterly journal devoted to exemplary scholarship across the spectrum of music studies. As a leading disciplinary forum founded in 1981 by Marian Green, JM reflects the breadth of musicology today and helps to shape the future trajectory of cross-disciplinary humanistic inquiry. Through its long-standing tradition of publishing the most exciting work by younger scholars alongside the contributions of senior scholars, JM continues to expand the perimeters of musicology in a spirit of openness, diversity, and academic excellence.

Journal of Musicological Research《音乐研究杂志》（季刊）. The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies.

Journal of Mathematics and Music《数学与音乐杂志》（一年3期）. Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.

Latin American Music Review-Revista de Musica Latinoamericana《拉美音乐评论》 （半年刊）. LAMR explores the historical, ethnographic, and socio-cultural dimensions of Latin American music in Latin American social groups, including the Puerto Rican, Mexican, Cuban, and Portuguese populations in the United States. Articles are written in English, Spanish, or Portuguese.

TEMPO《节奏》（季刊）. TEMPO exists to document the international new music scene while contributing to, and stimulating, current debates therein. Its emphasis is on musical developments in our own century, as well as on music that came to prominence in the later twentieth century that has not yet received the attention it deserves. The articles and reviews cover the new music scene in all its complexity, featuring discussions of compositional trends, performance practices, listening practices, new music contexts and reception histories. TEMPO is sympathetic both to writing about new forms of creative practice (electronic, interdisciplinary, performance-based) and to writing that employs innovative methods of enquiry that differ from the aims of traditional musicology.

STUDIA MUSICOLOGICA《匈牙利科学院音乐学研究》（季刊）. Studia Musicologica, edited by the Institute of Musicology, Centre for Humanities, Hungarian Academy of Sciences, publishes papers, documentary studies and short essays in the field of musicology in the broadest sense, with special respect to subjects connected with the history of Hungarian music and folk music. It also contains reports of congresses. Publishes book reviews and advertisements.

STRAD《弦乐器》（月刊）。Published in May 1890, the first issue of The Strad featured Joseph Joachim, the violinist to whom Brahms dedicated his Concerto. Since then, players such as Mstislav Rostropovich, Anne-Sophie Mutter, Mischa Maisky and many more besides have brought their insight and expertise to the pages of the magazine. The Strad is an indispensible guide for string players, teachers and instrument makers alike, featuring expert advice and practical guidance each month from celebrated luthiers working with traditional techniques and the latest technological advances. Authoritative, trusted and influential, The Strad is available in print and digital editions.