Television & New Media《电视与新媒体》（一年8期）. Television & New Media is an international journal devoted to key intellectual developments in television and new media studies. TVNM addresses questions of how power is expressed through media politics, economics, and cultures. The journal focuses on critical and cultural studies approaches to media and their application across social science and humanities disciplines

Media Psychology《媒介心理》（双月刊）. Media Psychology is an interdisciplinary journal devoted to publishing theoretically oriented, empirical research that is at the intersection of psychology and media/mediated communication. Research topics include media uses, processes, and effects. Reports of empirical research, theory papers, state-of-the-art reviews, replication studies and meta-analyses that provide a major synthesis of primary research findings in a pivotal area will be considered. We encourage preregistrations and welcome the inclusion of supplementary materials, such as stimuli, measures, preanalysis plans, deidentified data, and code as a part of new submissions (see Taylor & Francis’ Basic Data Sharing Policy). Manuscripts will be judged by the degree to which they contribute to theory and advance the body of knowledge about the psychology of uses, processes, or effects of the media.

Journal of African Media Studies《非洲媒体研究杂志》（一年3期）. The Journal of African Media Studies (JAMS) is an interdisciplinary journal that provides a forum for debate on the historical and contemporary aspects of media and communication in Africa. All articles are double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.

French Screen Studies《法国银幕研究》（季刊）. French Screen Studies is the only journal devoted exclusively to French and francophone cinema, providing scholars, teachers and students from around the world with a consistent quality of academic investigation across the full breadth of the subject. Contributors explore the cultural and technical aspects of French cinema from a wide range of methodological perspectives.

SCREEN《银幕》（季刊）。Screen is the leading international journal of academic film and television studies. From video art to popular television, from Hollywood to Hong Kong, from art cinema to British film finance, Screen authors cover a wide range of issues, both contemporary and historical, from a variety of disciplinary perspectives. Each quarterly issue combines substantial scholarly essays with reports and debates on conferences and current research, along with book reviews.

SIGHT AND SOUND《视觉和声音》（月刊）。

New Review of Film and Television Studies《影视研究新论》（季刊）. One of the leading media studies journals, New Review of Film and Television Studies publishes peer-reviewed research on the theory, history, aesthetics, and politics of expressive screen culture. Committed to a broad definition of film and television studies, NRFTS welcomes articles on digital, sound, video, and web-based media. The journal particularly encourages contributions on and by media creators and scholars from underrepresented groups, and values work informed by intersectional approaches and diverse perspectives. We maintain rigorous intellectual standards while striving to be accessible to a broad readership. Each quarterly issue features substantive scholarship alongside reviews of important recent books in the study of international media.

The Moving Image《动态影像》（半年刊）. The Moving Image explores topics relevant to both the media archivist and the media scholar. The Moving Image deals with crucial issues surrounding the preservation, archiving, and restoration of film, video, and digital moving images. The journal features detailed profiles of moving image collections; interpretive and historical essays about archival materials; articles on archival description, appraisal, and access; behind-the-scenes looks at the techniques used to preserve, restore, and digitize moving images; and theoretical articles on the future of the field.

Journal of Screenwriting《编剧杂志》（一年3期）. The Journal of Screenwriting is an international double-blind peer-reviewed journal that is published three times a year. The journal highlights current academic and professional thinking about the screenplay and intends to promote, stimulate and bring together current research and contemporary debates around the screenplay whilst encouraging groundbreaking research in an international arena. The journal is discursive, critical, rigorous and engages with issues in a dynamic and developing field, linking academic theory to screenwriting practice.

Journal of Popular Film and Television《大众影视杂志》（季刊）. The Journal of Popular Film was founded in 1971 at the Center for Popular Culture Studies at Bowling Green State University. It became the Journal of Popular Film and Television with Volume 7, Number 1 (1978), being the first scholarly film journal anywhere to include television in its title and editorial purview. From the beginning, the Journal of Popular Film and Television has been resolutely committed to the widest possible range of analytical views and techniques. The primary purpose of the Journal of Popular Film and Television is to provide a representative cross section of critical-cultural perspectives and to broaden the existing literature to include the “public visions” of popular filmmakers and television showrunners, economic and industrial factors, and an emphasis on the complex role of audiences in the development of film and television as art forms and wide-reaching sociocultural forces.