MILLENNIUM FILM JOURNAL《千年电影杂志》（半年刊）。Currently edited by Grahame Weinbren, Kenneth White, Josh Guilford, Rachel Stevens and occasional guest editors, the Millennium Film Journal has been published more or less biannually since 1978.The longest-running publication devoted to artists’ moving image, the MFJ consists of highly readable image-rich commentary about the most talented, innovative and influential contemporary artists working with analog and digital media. In an age of specialization, our unique focus has garnered a committed global following including art, film and visual culture enthusiasts. Our single commitment is to cinema as an art form.

Journal of Film and Video《影视杂志》（季刊）. The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Article features include film and related media, problems of education in these fields, and the function of film and video in society. The Journal does not ascribe to any specific method but expects articles to shed light on the way we view and teach the production and study of film and video.

Positif《正片》（月刊）. 该刊是法国非常老牌的一本电影杂志。

BioScope-South Asian Screen Studies《放映机:南亚银屏研究》（半年刊）. BioScope: South Asian Screen Studies is a blind peer-reviewed journal published biannually, it encourages theoretical and empirical research both on located screen practices and wider networks, linkages, and patterns of circulation. This involves research into the historical, regional, and virtual spaces of screen cultures, including globalized and multi-sited conditions of production and circulation.

Journal of Chinese Cinemas《华语电影杂志》（一年3期）. Journal of Chinese Cinemas is a major refereed academic publication devoted to the study of Chinese film, drawing on the recent world-wide growth of interest in Chinese cinemas. An incredibly diverse range of films has emerged from all parts of the Chinese-speaking world over the last few years, with an ever increasing number of border-crossing collaborative efforts prominent among them. These exciting developments provide abundant ground for academic research.

Journal of British Cinema and Television《英国电影电视杂志》（季刊）. The Journal of British Cinema and Television is indispensable for anyone seriously interested in British cinema and television. Themed issues alternate with general issues, and each issue contains a wide range of articles that encourage debate.

Critical Studies in Television《电视评论研究》（季刊）. Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions.

Hrvatski Filmski Ljetopis《克罗地亚电影》（季刊）. Projekt izdavanja filmološkog časopisa Hrvatski filmski ljetopis bio je zajednički pothvat Hrvatske kinoteke pri Hrvatskom državnom arhivu, Hrvatskog društva filmskih kritičara i Filmoteke 16 iz Zagreba, a danas je izdanje Hrvatskog filmskog saveza (sa središtem u Zagrebu). Uz potporu Ministarstva kulture Republike Hrvatske i Ureda za kulturu grada Zagreba, časopis je počeo izlaziti 1995. godine kao tromjesečnik, te je u dvadeset godina tiskano 80 brojeva.

JCMS: Journal of Cinema and Media Studies《电影与媒体研究杂志》（季刊）. 2018年由CINEMA JOURNAL《电影杂志》更为现刊名. JCMS: Journal of Cinema and Media Studies is the peer-reviewed, scholarly publication of the Society for Cinema and Media Studies (SCMS). JCMSs basic mission is to foster engaged debate and rigorous thinking among humanities scholars of film, television, digital media, and other audiovisual technologies. We are committed to the aesthetic, political, and cultural interpretation of these media and their production, circulation, and reception.

Film Quarterly《电影季刊》（季刊）. Film Quarterly has published substantial, peer-reviewed writing on cinema and media for nearly sixty years, earning a reputation as one of the most authoritative academic film journals in the United States, as well as an important English-language voice of cinema studies abroad.